氣味翻譯所

前序preface混凝土的質(zhì)樸在于可以最大化空間里的其他物品散發(fā)自身的氣質(zhì)。The simplicity of concrete always helps the characteristics of other materials to be manifested as much as possible. --------------------------------------------------關(guān)于about本項目位于鬧中取靜的廣州天河南小區(qū)內(nèi)，這里既處于天河商圈的覆蓋范圍，同時因為是住宅小區(qū)的關(guān)系又增添了幾分寧靜。作為一個帶有研究及參觀屬性的工坊，恰到好處。This project is located in the Tianhe South Neighbourhood of Guangzhou. Due to its excellent location, tranquility can be enjoyed while the business area can be easily found only by having few minutes’ walk. It is a right place for the workshop with research and visit attributes. --------------------------------------------------外立面facade我們似乎在打造一個用混凝土做的香水器皿。What we have created like a perfume vessel made from concrete more than a architecture. 為了滿足業(yè)主低調(diào)且貼地氣的空間營造要求：工作室本質(zhì)上是這區(qū)的一份子，但同時也是一個獨立的個體。我們商量后用了混凝土與黑色仿石漆結(jié)合的方式。這樣一來，器皿的整體終于完整。In order to satisfy the owner's low-key and amiable and easy of approach space requirements:The studio is essentially a part of this village, but it is also an independent individual.After discussion, we used a combination of concrete and black stone-like paint.In this way, the whole perfume vessel is finally complete.--------------------------------------------------室內(nèi)空間indoor工作室分為幾大功能區(qū)，窗口新品展示區(qū)、展廳大堂、蠟燭與香薰層臺展區(qū)、前臺、前后倉庫區(qū)、調(diào)香室、蠟燭坊、洗手間。從產(chǎn)品展示區(qū)到產(chǎn)品調(diào)制。來參觀的顧客也能很好地由淺入深地了解本品牌產(chǎn)品的優(yōu)點和特點。 The studio is divided into several areas for different functions, new product display area, exhibition lobby, candle and aromatherapy platform exhibition area, reception, warehouse, fragrance room, candle workshop, and wash room From product display area to product modulation, customers who come to visit can also have a good understanding of the advantages and characteristics of the brand's products both superficially and profoundly.--------------------------------------------------接下來，我們嘗試以香水為引子為大家介紹室內(nèi)空間的設(shè)計理念。we try to introduce the space with perfume as an introduction.前調(diào)，又名頭香、頭調(diào)、初香Top notes 業(yè)主是一個低調(diào)而有個性的設(shè)計師。在溝通的時候，業(yè)主首先就強調(diào)了，這里不希望成為網(wǎng)紅流連之地，也不希望每天客似云來忙得不可開交，但工作室仍然是一個樂于待客的空間，我們需要在這一點上找到一個絕佳的平衡---設(shè)計盡量保持低調(diào)，但亦不失格調(diào)；有個性而又不失張揚。The owner of this workshop is a low-key designer with strong characteristic. At the first conversation with him, the owner emphasized that this workshop is not for the Internet celebrities to linger, nor be the place needed to be paid too much attention on the visitors. However, the studio is still a space to welcome guests. To satisfy these requirements, we need to find a perfect balance on the design, not only as much as possible to maintain a low profile, but also without losing style.為了符合此前提。我們協(xié)商達(dá)成一致觀點，運用盡量少的甚至單一的元素來展現(xiàn)這一意愿。Consensus between us and the owner has been reached to fulfil the demands, using as few as possible or even a single element to show this will.空間分區(qū)上，分成了前區(qū)、工區(qū)。前區(qū)同時有收銀接待以及產(chǎn)品展示功能，而工區(qū)則有調(diào)配、后勤、私密洽談等的功能。除此之外，作為首層商鋪空間。對外展示櫥窗，和綠化帶的使用都是必須考慮的空間。In terms of space division, it is divided into front area and work area. The functions of front area are cashier reception and product display, while functions of the work area are deployment, logistics, private negotiation and so on. In addition, as the shop built on the ground, external display windows and the arrangement of green area must be considered. 中調(diào)即核心調(diào)、中味 、根本所在Middle notes 我們選擇了混凝土。We chose concrete混凝土能讓人主觀上忘卻他本身的味道。當(dāng)空間全部流淌著混凝土的時候，會讓你更關(guān)注空間的其他事物，從而更容易讓你墜入空間主人特意為你帶來的體驗。When the space is full of concrete, you will pay more attention to other things in the space, and the experience brought deliberately by the owner of the space can be easily acquired. 要做到這種抽象的空間體驗，我們在材料運用上對混凝土依賴有加，猶如將巧克力醬滿滿地澆到一個蓬松的蛋糕的里里外外，大至外觀，細(xì)至孔洞，滿目皆混凝土的所在。空間內(nèi)不同的幾何造型，包括桌面地臺 門框 窗戶，將充滿視野的混凝土可能帶來的視覺疲勞減至最低。而透過窗戶和業(yè)主精心挑選的各種燈具的光線照射，各個混凝土物體的表面更鋪灑著微妙的高級灰變化。 To achieve this kind of abstract spatial experience, concrete is the major materials we use, just like completely enveloping a fluffy cake with chocolate sauce. The visual fatigue caused by the concrete can be mitigated by various issues with different geometric shapes, such as desktop platform and windows. Illuminated by the light from outside or various lamps elaborately selected by the owner, subtle change of the high gray can be demonstrated on the surface of the concrete object.這一切都是那么地靜逸、淡雅。All this is so quiet and elegant.在這之上，當(dāng)調(diào)配師工作或者參觀者打開香水瓶子的瞬間，只有那一刻才會擁有的味道立刻就依附在了整個空間的混凝土上，重新定義了當(dāng)時的混凝土氣息。Under this circumstance, when the blender works or the visitor opens the bottle of perfume, the smell that only exists at that moment is immediately adhered to the concrete of the entire space, transforming the atmosphere of concrete at that time.而這些瞬間,會不斷地發(fā)生在不同的時刻。此起彼伏，豐富萬千。 And these moments. It will happen continuously at different moments. 基調(diào)，尾調(diào)Base tone不可能的可能 Impossible possibility莫里茨·科內(nèi)利斯·埃舍爾（Maurits Cornelis Escher）是世界最著名的視錯覺畫家。他的繪畫讓人真正的感受到"眼見未必是實"——在他的筆下，所有一些不可能的景象都可能實現(xiàn)?？臻g的彎曲使纏繞成為可能，今天我們知道，物理空間可以因為引力而彎曲，它無界卻可以是有限的，無界不等于無限。看來埃舍爾的數(shù)學(xué)思想很深刻，都蘊涵在他的畫里。埃舍爾具有不可思議的魔力，征服著人們的心靈。Is the most famous optical illusion painter in the world. "Seeing is not necessarily real" is what his paintings tell people-in his pen, all the impossible scenes can be realized. Entanglement has been become reasonable by the distortion of space. Today we know that physical space can be bent because of the gravity. It is unbounded but finite, and unbounded does not mean infinite. It seems that Escher's mathematical idea is very profound, and they are all reflected in his paintings. Escher has incredible magic powers, having fascinated people's hearts. 在平層空間里，而又滿布混凝土，讓每一個空間擁有獨立性，似乎是不可能事情。但是埃舍爾的不可能的空間暗暗地鼓勵著我們?nèi)L試講不可能成為可能。所以，我們嘗試在設(shè)計過程中將每一個空間（房間）看作獨立的載體、藝術(shù)品、雕塑去看待。我們在手繪，電腦制圖、甚至手工模型制作的過程中都將這點視作一個心理暗示—不可能的可能究竟是怎樣。通過這點得出的空間，又會出現(xiàn)什么樣的可變和不可預(yù)知的屬性呢，這是一個相當(dāng)有趣的嘗試。每個空間不一定要從一種人們所習(xí)以為常的維度觀賞，觀察。在這個維度中，能看到他們之間的共同點和不同點。也能更好的認(rèn)清每個空間獨有的特質(zhì)。這可能就是埃舍爾空間的樂趣所在。In a flat space full of concrete, it seems impossible that there is no relationship between different space. But we were inspired by Escher’s impossible space to try to produce something impossible. Therefore, we try to treat each space (room) as an independent carrier, artwork, and sculpture in the design process. In the process of hand drawing, computer graphics, and even manual model making, we regard this as a psychological hint—what is the impossible possibility. What kind of unpredictable features of the space created by this approach will be found? This is a very interesting attempt. Each space doesn’t have to be observed from the angles by which people accustom themselves to view the world. In this dimension, we can see the similarities and differences between them. We can also better comprehend the unique characteristics of each space. This may be the fun of Escher space.--------------------------------------------------何止混凝土details畢竟，我們創(chuàng)造的是一個以人為使用單位的空間，過于純粹的表達(dá)只會讓人使用的時候感到不適，我們在以混凝土為主調(diào)的同時，加入了幾種“調(diào)味料”。After all, what we create is a space for people. Too pure expression will make people feel uncomfortable only. We take concrete as the main theme, and at the same time, we add several "seasonings".銅條、木板、玻璃、磚等的元素的加入，讓空間多了幾分生活的氣息。讓人不至于布滿香氣的空間迷失了方向。Copper, wood, glass, brick and other elements to join,it will be made the space a bit more flavor of life. People will not be full of fragrance of the space lost direction.--------------------------------------------------項目名稱：氣味翻譯所 NAME：DINSHARE STUDIO設(shè)計單位：筑睦建筑設(shè)計事務(wù)所FA?ADE & INTERIOR DESIGN:ZHUMU ARCHITECTRUL完工年份：2019年COMPLETION: 2019占地面積：101㎡AREA: 101㎡建筑所在地：廣州·中國LOCATION: GUANGZHOU. CHINA業(yè)主：DINSHARECLIENT: DINSHARE空間設(shè)計團隊：胡耀英、陳永林、李杰恒、DESIGNER:BAN HU / LIN CHEN / JIEHENG LI主要材料：混凝土、銅、不銹鋼、木、輕質(zhì)磚、玻璃MATERIAL: CONCRETE、STAINLESS STELL、WOOD、LIGHT BRICK、GLASS